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Sitcom

From Wikipedia, the free encyclopedia
(Redirected from Sitcoms)
For the film, see Sitcom (film).
"Situation comedy" redirects here. Not to be confused with Situation Comedy (album).
Two characters sit at the table and chat with expressive faces, a common scene in sitcoms
A shot from the American television sitcom I Love Lucy, often regarded as one of the most influential television programs in history

A sitcom (short for situation comedy, or situational comedy) is a genre of comedy that centers on a recurring cast of characters as they navigate humorous situations within a consistent setting, such as a home, workplace, or community. Unlike sketch comedy, which features different characters and settings in each skit, sitcoms typically maintain plot continuity across episodes. This continuity allows for the development of storylines and characters over time, fostering audience engagement and investment in the characters' lives and relationships.

History

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Main articles: History of radio, Radio comedy, History of television, and Television comedy

The structure and concept of a sitcom have roots in earlier forms of comedic theater, such as farces and comedy of manners. These forms relied on running gags to generate humor, but the term "sitcom" emerged as radio and TV adapted these principles into a new medium. The word was not commonly used until the 1950s.[1]

Early television sitcoms were often filmed in front of a live studio audience using a multiple-camera setup, the latter of which continues in some modern productions such as The Big Bang Theory and Fuller House.[2][3] Other formats make use of a laugh track or "canned laughter".

Since the 1990s, sitcoms have since expanded to animated sitcoms, with successful shows of the genre including The Simpsons, King of the Hill, and Family Guy.

Critics have debated the exact definition of a sitcom, mostly regarding productions created at the turn of the 21st century. Many contemporary American sitcoms use a single-camera setup and do not feature a laugh track, instead more resembling documentaries or the comedy-dramas of the 1980s and 1990s.[4]

By country

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Australia

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See also: Television in Australia and Television ratings in Australia

Although there have been few long-running Australian-made sitcoms, many US and UK sitcoms have been successful in Australia, since sitcoms are considered a staple of the government broadcaster Australian Broadcasting Corporation (ABC). In the 1970s and 1980s many UK sitcoms also screened on the Seven Network. By 1986, UK comedies Bless This House and Are You Being Served? had been re-screened several times by ABC Television; they were then acquired and screened by the Seven Network.[5]

In 1981, Daily at Dawn was the first Australian comedy series to feature a regular gay character (Terry Bader as journalist Leslie).[6]

In 1987, Mother and Son won the Television Drama Award for portraying a woman suffering from senile dementia and her interaction with her family, presented by the Australian Human Rights Commission.[7][8]

In 2007, Kath & Kim's first episode of series 4 attracted an Australian audience of 2.521 million nationally.[9] This was the highest rating for a first episode in the history of Australian television,[9] until the series premiere of Underbelly: A Tale of Two Cities in 2009, which garnered 2.58 million viewers.[10]

In 2013, Please Like Me received an invitation to screen at the Series Mania Television Festival in Paris,[11] was praised by critics,[12] and earned numerous awards and nominations.[13]

Also in 2013, At Home With Julia was criticized by several social commentators as inappropriately disrespectful to the office of the Prime Minister.[14] The show nevertheless proved very popular with both television audiences and critics, becoming the most-watched Australian scripted comedy series of 2011.[15][16] It was nominated at the 2012 Australian Academy of Cinema and Television Arts Awards for Best Television Comedy Series.[17]

Canada

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See also: Canadian humour and Television in Canada

Although there have been several notable exceptions, relatively few Canadian sitcoms attained notable success in Canada or internationally.[18] Canadian television has had much greater success with sketch comedy and dramedy series.[18]

The popular show King of Kensington aired from 1975 to 1980, at its peak garnering an average of 1.5 to 1.8 million viewers weekly.[19]

The 1999 movie Trailer Park Boys was followed up by a television series of the same name that ran from 2001 to 2018, airing in Canada, the U.S., and the U.K.

Corner Gas, which ran for six seasons from 2004 to 2009, became an instant hit, averaging one million viewers per episode.[20] It has been the recipient of six Gemini Awards and has been nominated almost 70 times for various awards.[21]

Other noteworthy recent sitcoms have included: Call Me Fitz, Schitt's Creek,[22] Letterkenny, and Kim's Convenience,[23] all of which have been winners of the Canadian Screen Award for Best Comedy Series.

India

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See also: Television in India

Sitcoms started appearing on Indian television in the 1980s, with serials like Yeh Jo Hai Zindagi (1984), Nukkad (1986), and Wagle Ki Duniya (1988) on the state-run Doordarshan channel. Gradually, as private channels were permitted to operate, many more sitcoms followed. In the 1990s these included: Dekh Bhai Dekh (1993), Zabaan Sambhalke (1993), Shrimaan Shrimati (1995), Office Office (2001), Ramani Vs Ramani (Tamil 2001), Amrutham (Telugu 2001–2007), Khichdi (2002), Sarabhai vs Sarabhai (2005) F.I.R. (2006–2015), Taarak Mehta Ka Ooltah Chashmah (2008–present), Uppum Mulakum (Malayalam 2015–present), and Bhabiji Ghar Par Hain (2015–present).[24] SAB TV is one of the leading channels in India, dedicated entirely to Sitcoms.

Taarak Mehta Ka Ooltah Chashmah is the longest-running sitcom of Indian television and is also known as the flagship show of SAB TV.[25]

Iran

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See also: Television in Iran

On Tiptoes and Shabhaye Barareh were among the first and most important sitcoms that led to the growth of this type of comedy in Iran, both receiving wide critical and audience acclaim.

Mexico

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See also: Television in Mexico

El Chavo del Ocho, which ran from 1971 to 1980, was the most-watched show on Mexican television and had a Latin-American audience of 350 million viewers per episode at its popularity peak during the mid-1970s.[26] The show continues to be popular in Central America as well as in Colombia, Venezuela, Brazil, Spain, the United States, and other countries. Syndicated episodes average 91 million daily viewers in all its American markets. Since it ceased production in 1992,[27][28] the show has earned an estimated $1 billion in syndication fees alone for Televisa.[28]

New Zealand

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See also: Television in New Zealand and List of New Zealand television series

Gliding On, a popular sitcom in New Zealand in the early 1980s, won multiple awards during its run including Best Comedy, Best Drama and Best Direction at the Feltex Awards.[29]

Russia

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See also: Television in Russia and Media of Russia

The first Russian sitcom series was "Strawberry", which resembled "Duty Pharmacy" in a Spanish format. It was aired from 1996–1997 on the RTR channel. The "boom" of Russian sitcoms began only in the 2000s, when in 2004, the STS started the highly successful sitcom "My Fair Nanny" (an adaptation of the American sitcom "The Nanny"). Since that time, sitcoms in Russia have been produced by the two largest entertainment channels in the country — STS and TNT. In 2007, the STS released the first original domestic sitcom — "Daddy's Daughters" (there were only adaptations before), and in 2010, TNT released "Interns" — the first sitcom, filmed as a comedy (unlike dominated "conveyor" sitcoms).

South Korea

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See also: Television in South Korea and Korean humor

Sitcoms, or "시트콤" in Korean, gained significant popularity in South Korea during the 1990s. This popularity was fueled by the success of shows like Dr. Oh's People, LA Arirang, and Men and Women.

The use of computer graphics (CG) in sitcoms began to increase in the late 1990s as more broadcasters adopted CG technology. This led to more visually dynamic and creative sitcoms.

However, viewer preferences shifted towards dramas and thrillers in the 2010s, resulting in a decline in sitcom popularity. Nevertheless, there have been recent efforts to revive the sitcom genre. For instance, Netflix released So Not Worth It in 2021, featuring many creators from popular South Korean sitcoms.

Popular South Korean sitcoms include the High Kick series, which has spawned several spin-offs.

United Kingdom

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Main article: British sitcom
See also: Television in the United Kingdom

British sitcoms, like their American counterparts, often revolve around a core group of characters who interact in a recurring setting, such as a family, workplace, or institution. However, British sitcoms typically consist of shorter series, often six episodes, and are frequently developed by a smaller writing team.

The majority of British sitcoms are half-hour comedies recorded in studio settings using a multiple-camera setup. While many adhere to traditional sitcom conventions, some have ventured into more unconventional territory. For example, Blackadder and Yes Minister/Yes Prime Minister shifted the focus from domestic or workplace settings to the world of politics.

A more recent development in British comedy is the mockumentary, a style that blends documentary and comedic elements. Shows like The Office, Come Fly With Me, W1A, People Just Do Nothing, and This Country have successfully employed this format to explore a variety of topics and characters.

United States

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Main article: Sitcoms in the United States

Sitcoms, or situation comedies, made their debut in the United States in 1926 with the radio show Sam 'n' Henry. The subsequent success of Amos 'n' Andy, also created by Freeman Gosden and Charles Correll, solidified the sitcom's place in American radio programming.

The transition to television brought about significant changes in the sitcom format. Mary Kay and Johnny, which premiered in 1947, became the first American television sitcom. Today, American sitcoms typically run for 22 minutes, allowing for approximately eight minutes of advertising within a 30-minute time slot.

Throughout their history, American sitcoms have often drawn inspiration from British counterparts. Popular shows like All in the Family, Three's Company, and Sanford and Son were adapted from successful British series. More recently, The Office achieved significant popularity in the United States, following the success of its British counterpart.

Numerous television networks in the United States feature sitcoms in their programming. CBS, TBS, Nickelodeon, and Disney Channel are just a few examples of networks that air sitcoms.

See also

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References

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  1. ^ Dalton, Mary M.; Linder, Laura R., eds. (2012). Sitcom Reader, The: America Viewed and Skewed. SUNY Press. p. 15. ISBN 978-0-7914-8263-6.
  2. ^ "The Big Bang Theory Tickets". archive.ph. 2013-02-16. Archived from the original on 2013-02-16. Retrieved 2024-09-16.
  3. ^ "Free TV Studio Audience Tickets | tvtickets.com". 2017-06-06. Archived from the original on 2017-06-06. Retrieved 2024-09-16.
  4. ^ "The Evolution Of The Sitcom: The Age of the Single Camera" Archived 2016-10-09 at the Wayback Machine. New York Film Academy, September 24, 2014.
  5. ^ Collier, Shayne. Again and again and again. The Sydney Morning Herald – The Guide: 2 June 1986, p.1, 6. [1] Archived 2015-11-21 at the Wayback Machine
  6. ^ Howes, Keith. (1998, February). "Gays of Our Lives". Outrage, Number 177, 38-49.
  7. ^ "1987 Human Rights Medal and awards winners". Human Rights Medal and Awards. Australian Human Rights Commission. 1987. Archived from the original on 2017-12-01. Retrieved 2017-11-28.
  8. ^ Tynan, Jacinta (2008-09-13). "Weird how my rello won his fame". Sydney Morning Herald. Archived from the original on 2012-11-02. Retrieved 2010-11-05.
  9. ^ a b Seven Network (20 August 2007). "Seven – Daily Ratings Report". ebroadcast.com.au. Archived from the original on 20 May 2009. Retrieved 20 August 2007.
  10. ^ Knox, David (2009-02-10). "2.58m: Underbelly sets new record". TV Tonight. Archived from the original on 2009-05-20. Retrieved 2015-10-02.
  11. ^ Knox, David (22 February 2013). "Please Like Me, Puberty Blues selected for French TV festival". TV Tonight. Archived from the original on 14 April 2022. Retrieved 31 March 2013.
  12. ^ "Please Like Me". Rotten Tomatoes. Archived from the original on 6 May 2019. Retrieved 1 October 2019.
  13. ^ "Please Like Me - Awards". IMDb. Archived from the original on 8 September 2019. Retrieved 1 October 2019.
  14. ^ Craven, Peter (8 Sep 2011). "At Home With Julia: inane drivel of the most idiotic kind". Australian Broadcasting Corporation. Archived from the original on 2014-01-12. Retrieved 6 July 2015.
  15. ^ "Packed to the Rafters and Underbelly are 2011's top local dramas – Mumbrella". Mumbrella. 2011-11-28. Archived from the original on 2017-09-03. Retrieved 2017-02-01.
  16. ^ Knox, David (Dec 1, 2011). "Critics' Choice: The Best of 2011". TV Tonight. Archived from the original on 6 July 2015. Retrieved 6 July 2015.
  17. ^ "Inaugural Samsung AACTA Awards Nominees" (PDF). Australian Academy of Cinema and Television Arts. Archived from the original (PDF) on 2015-10-31.
  18. ^ a b "Why do Canadian sitcoms suck?" Archived 2017-01-16 at the Wayback Machine. canada.com, March 21, 2014.
  19. ^ "King to be bachelor". Ottawa Citizen. 1978-01-25. Archived from the original on 2022-03-19. Retrieved 9 April 2011.
  20. ^ "Strong numbers mean replay of Corner Gas debut" (Press release). CTV Inc. 2004-01-23. Archived from the original on 2007-10-25. Retrieved 2007-01-08.
  21. ^ "'Corner Gas' gives thanks with premiere on Monday, Oct. 13". CTV Globemedia. 2008. Archived from the original on 2008-09-30. Retrieved 2008-09-30.
  22. ^ "The success of Schitt's Creek marks a turning point for the CBC" Archived 2017-04-07 at the Wayback Machine. The Globe and Mail, January 9, 2017.
  23. ^ "CBC orders more Kim's Convenience" Archived 2017-01-13 at the Wayback Machine. Media in Canada, December 21, 2016.
  24. ^ Patel, Nidhin (2011-10-13). "'Taarak Mehta' completes 700 episodes". The Times of India. Archived from the original on 2013-12-31.
  25. ^ Panjari, Swagata (October 1, 2018). "TMKOC: The journey of India's longest running TV show". Television Post. Archived from the original on June 22, 2020. Retrieved August 5, 2021.
  26. ^ "Adiós al Chavo del 8: murió Roberto Gómez Bolaños". Forbes Mexico. 2014-11-29. Archived from the original on 2014-12-05. Retrieved November 29, 2014.
  27. ^ "El Chavo del 8 – Historia". Chespirito (in Spanish). Archived from the original on February 2, 2011. Retrieved January 31, 2011.
  28. ^ a b "Meet El Chavo, The World's Most Famous (And Richest) Orphan". Forbes. Archived from the original on February 9, 2021. Retrieved November 29, 2014.
  29. ^ "Roger Hall Piece about Gliding On". NZ On Screen. Archived from the original on 12 August 2014. Retrieved 24 November 2014.

Further reading

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